This abstract film—which Franz Schömbs called a “film experiment”—seeks to merge space and time. To achieve this, Schömbs stretched colorful cardboard strips, painted with various shapes, onto a machine he built himself, the Integrator. A rotating mechanism arranged the strips into different constellations, which were then interwoven in the film through multiple exposures. The geometric shapes, whose colors range from cool to warm, fade or stand out to continuously create new motifs.